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The Awkward Joys of Anamorphosis
[hyperallergic.com]
by Daniel Larkin (review)
Hyperallergic, March 23, 2011
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Evan Penny
[pdf 2.7 Mb]
by Katy Donoghue (interview)
Whitewall, Spring 2011, pp.102-109
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Evan Penny at Sperone Westwater
[pdf]
by Michaël Amy (review)
Sculpture, April 2010, Vol. 29
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On scanning, or skewing off into virtual space
by Nancy Tousley
Evan Penny discusses digital 3-dimensional scanning and its relationship to his practice in this interview with Nancy Tousley.
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Opposites show each other off
by Nancy Tousley
Sculptors remake the figure in contemporary art.
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Artforum PICKS: Evan Penny
by Blake Gopnik
"...for all the stunning three-dimensionality that seems so central to them, the real referent of this sculpture is photography..."
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The Art Fair as Outlet Mall
[nytimes.com]
by Ken Johnson
This review of Art Basel Miami Beach 2008 describes Murray, 2008 as: " ...oversize head-and-shoulder portrait of a grizzled middle-aged man ... by Evan Penny is so realistic in every detail that you can't help feeling ... in the presence of a supernaturally living being.
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Evan Penny: The Flesh is Weak
by Kenneth E. Silver
Catalogue essay for 2009 exhibition at Sperone Westwater
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Heads or Tales:
Michael Awad and Evan Penny’s Conversation
by David Clark
This essay considers the collaboration between Michael Awad and Evan Penny that produced Panagiota: Conversation, 2007
Text available in English, French and Spanish. -
Evan Penny
by Joe Houston
This essay was written for the 2007 exhibition Currents: Evan Penny at the Columbus Museum of Art.
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Focus | Evan Penny
[pdf]
by Ute Krepler
This German-language article appears in ARTinvestor Nr.04, 2006.
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Ron Mueck / Evan Penny / Richard Stipl
Reality and Its Excesses
[pdf 3.7 Mb]
by Begoña Rodríguez
This cover article appeared in LAPIZ 224, June 2006.
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The Artful Doubter:
Evan Penny & the making of extraordinary objects
[pdf 576 Kb]
by Robert Enright and Meeka Walsh
This interview with Evan Penny is the cover story of Border Crossings Issue 98, 2006
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Art in America: review
A review of the 2005 Sperone Westwater exhibition No One - In Particular appears in the February 2006 edition of Art in America, on page 125.
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Sculpture: review
[pdf 1.0 Mb]
by William V. Ganis
A review in Sculpture magazine of the 2005 Sperone Westwater exhibition No One - In Particular.
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Arte Al Limite: Evan Penny / Esculturas Vivas
by Juan Pablo Colin
This article appears as the cover story in the Chilean magazine Arte Al Limite Nº17, Jan–Feb 2006.
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How We See Ourselves Now
by David Moos
Catalogue essay for the 2005 Sperone Westwater exhibition No One - In Particular.
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Art in Review: Evan Penny: No One - In Particular
By Ken Johnson
This review appeared in the New York Times on
Monday October 14, 2005. -
What It Takes to Get a Head
by Kathryn Shattuck
This review appeared in the New York Times on
Sunday October 23, 2005. -
Artist Statement:
L. Faux and No One - In Particular
by Evan Penny
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Skin Deep
By Sarah Milroy
This article appeared in The Globe and Mail on March 1, 2004.
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Challenging Perceptions
By Noel Gallagher
This article appeared in the The London Free Press in January 2004.
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Absolutely Unreal
The Sculpture and Photography of Evan Penny
by Nancy Tousley
This essay is from the Absolutely Unreal catalogue, 2004
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Evan Penny's Uncertainty Principle
by David Clark
This essay is from the Absolutely Unreal catalogue, 2004
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Miami Herald
Front page - December 4, 2003
Stretch #2, appears on the front page of the Miami Herald on the opening day of Art Basel Miami Beach...
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Més enllà de l'hiperrealisme
[pdf]
by Xavier Barral i Altet, 2002
Avui. Barcelona, Spain.
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Evan Penny:
L. Faux and No One - In Particular
by Xandra Eden, 2002
Through hyper-realistic sculptures and their corresponding photographs, Penny examines the terrain between the real and the replica...
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A New Perspective
by Nancy Tousley, 2002
Evan Penny makes the kind of sculpture that is so realistic, so detailed and so obviously a display of skill that it literally stops people in their tracks...
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Human, all too human
by Gary Michael Dault, 2001
Evan Penny's monstrous creations examine how photography distorts the way we see ourselves...
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A Field of Interpretation: The Work of Evan Penny
by Meeka Walsh, 1995
The particular rather than the general, the detail rather than the whole, metonymy rather than mimesis...
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Evan Penny: A Survey
by Michael Burtch, 1987
Throughout history, the human figure has been the most significant and the most problematical symbol...
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Evan Penny
by Gary Michael Dault, 1986
Evan Penny is building his career as an artist upon one central and absorbing problem: how to Make It New...